Susan lepselter essay
about music is like dancing about architecture? I was bringing some conspiracy-based material from a Hillview friend to someone who lived in Rachel. As a whole, they leave me with a compelling, disturbing image of America in a troubled national moment, both as a mirror to my own work and from completely new angles. It was wonderful to spend time in Rachel. In the World that Affect Proposed. I really was not surprised. This article describes and performs this trope through the intertextual poetics of stories about captivity, focusing on what the author here calls resonance, especially between historical American Indian captivity narratives and UFO abduction accounts. The question what is America?
In case it isnt yet obvious, the book engages people who have experienced alien encounters of one sort or another. . Clearly you are working on multiple planes here, very far from the straight-up sort of formal academic statement of argument. . You couldnt tell whether it was a racist victory cry or an ironic critique. Could you talk about what you think your research might offer to people who are perplexed at the depth of support for the winner of that election? First off, this style of writing was opened up to me by my mentor, Katie Stewart. Institutional knowledge as tainted by conspiracy and, as a result, by creating their own language, knowledge base, and charles lamb essays analysis sites of encounter, the experiencers are breaking away from the histories of negligence and social injustice. More than responses, though, the essays use various aspects of my book to launch four distinct written worlds of their own. In her fieldwork in the Mojave Desert, Julia Sizek describes the intense value of history in an area supposedly without. Bb, interview by Micol Seigel your book isnt easy to summarize because of the complex ways you weave your various interventions into (beautiful!) narrative, so instead of using this first question to have you describe the book, which is how this blog generally proceeds,.